The Color Wheel and How It Works
Refer to the color wheel chart above to determine between primary, secondary, and tertiary colors. Primary colors are red, blue, and yellow. These colors are pure, which means you can’t create them from other colors, and all other colors are created from them. Between the equidistant primary color spokes on the color wheel are secondary colors: orange, green, and violet. These hues line up between the primaries on the color wheel because they are formed when equal parts of two primary colors are combined. Tertiary colors are formed by mixing a primary color with a secondary color that’s next to it on the color wheel. With each blending (primary with primary, then primary with secondary), the resulting hues become less vivid.
How to Use the Color Wheel to Build Color Schemes
You can rely on the color wheel’s segmentation to help you mix colors and create palettes with varying degrees of contrast. There are four common types of color schemes derived from the color wheel.
1. Monochromatic Color Scheme
These tone-on-tone combinations use several shades (adding black) and tints (adding white) of a single hue for a subtle palette. Think pale blue, sky blue, and navy. Although the monochromatic look is the easiest color scheme to understand, it’s perhaps the trickiest to pull off. A room filled with just one color can feel boring or overwhelming, depending on how you handle it. This room, for example, shows a monochromatic palette that succeeds, thanks to a variety of shades and textures. The bedroom color scheme sticks to the pink wedge in the color wheel, but includes various tints that range from blush to rosy. A livable powder pink canvases the painted walls, which are the largest portion of the room. Brighter pink fabrics in the throw pillows keep the scheme from being dull. Finally, a knit throw and woven rug add textural variety to the narrow color scheme.
2. Analogous Color Scheme
For a bit more contrast, an analogous palette includes colors found side by side on the wheel, such as orange, yellow, and green, for a colorful but relaxing feel. Neighboring hues work well in conjunction with each other because they share the same base colors. The key to success for this scheme is to pick one shade as the main, or dominant, color in a room. It’s the color you’ll see the most. Then choose one, two, or three shades to be limited-use accent hues. This living room demonstrates an analogous scheme of blue, purple, and fuchsia. A dusty purple sofa provides the dominant shade, while vibrant fuchsia appears on various throw pillows and in the flower arrangement. Because the pink and blue accents share the same purple undertones, they suit the color wheel design. A warm gray wall color rounds out the room.
3. Complementary Color Scheme
Using two hues directly opposite each other on the color wheel, such as blue and orange, is guaranteed to add energy to any room. These complementary colors work well together because they balance each other visually. You can experiment with various shades and tints of these complementary color wedges to find a scheme that appeals to you. In this living room, for example, a bright shade of orange offers warmth and brightness that balances a deep cobalt blue. The key is not letting one color overtake the other. As the wall color, blue appears more prominently, while orange serves as an accent. The two colors appear on other elements throughout the space for a cohesive look.
4. Triadic Color Scheme
A triad creates an adventurous palette by using three hues evenly spaced on the wheel, such as turquoise, fuchsia, and yellow-orange. This combination forms a color palette with vivid contrasts and balanced colors. These vibrant schemes work well in living rooms, because they tend to offer a happy, energizing atmosphere. Use your three colors in varying shades and tints to create more contrast or to soften the brightness. For instance, this colorful living room employs saturated shades of orange and green, but the third color is merely hinted at in the pastel-upholstered sofa. As you create schemes using color wheel ideas, remember that color can also affect emotional responses and create a mood. Greens tend to soothe, for instance, while yellows are uplifting and energetic. Bold reds are passionate and daring, but soft pink (a tint of red) is considered sweet and delicate. Blues are perceived as calming and quiet; oranges are warm and cozy; and purple, a truly complex color, can be seen as sexy or spiritual. Colors are considered warm or cool because of association. In our minds, we typically compare reds, oranges, and yellows with the warmth of the sun and fire. Blues, greens, and violets are cool because of their association with water, sky, and foliage. For a more balanced look, don’t limit your palette to all warm colors or all cool colors. Let one dominate and set the overall tone of the room, but be sure to include elements that offer contrast.
Color Wheel Terminology
Use this glossary of color wheel terms to help inform color decisions throughout your home. Analogous: neighbors on the color wheel Chroma: a color’s brightness or dullness Complementary: opposites on the color wheel, which appear brighter when they are used together (examples: yellow and purple, red and green, blue and orange) Neutral: black, white, brown, and gray Secondary: a combination of equal parts of two primary colors (secondary colors are green, orange, and purple) Shade: any color with black added; also refers to slight variations in a color Primary: pure colors (red, yellow, and blue) that combine to create all the other colors on the wheel Split complementary: the grouping of a color with the two hues analogous to its complementary color (yellow with red-violet and blue-violet, for example) Triad: any three colors equally spaced on the color wheel, one of which usually takes precedence in a color scheme (yellow-orange, blue-green, and red-violet, for example) Tertiary: a combination of equal parts of a primary and a secondary color Tint: any color with white added Tone: a color’s intensity or its degree of lightness or darkness
